User Clip Title Date
Joseph Masheck Are taboos dangerous? On the Loos'ian loo taboo, the topos of good plumbing, and anti-ornamentalist arguments between American water closets, French fountains and Viennese chamberpots. 2008.04.24 / 14:51
Graham Steel What work demands anonymity? On the vulnerability of security loopholes, faking boarding cards for flights, and the ramifications of publishing findings on such knowledge. 2008.04.24 / 14:50
Sarah Hollingworth To what extent do we control the work we initiate? A hypothetical way of constructing an alternative mobile academy located between underground education in Warsaw and the migrant culture of Sheffield. 2008.04.24 / 14:49
Hilary Koob-Sassen What vernacular conveys your ideas? The Venus of Filetville; Bridge to Trellis Formation; Traction on Time. A Love Letter to the countries of the Middle East and North Africa 2008.04.24 / 14:48
Douglas Park The mechanics of questions and answers, leading to swan machinery, or lucky dip, holy communion, or stock exchange. 2008.04.24 / 14:48
Jon Oberlander When is a dilettante not a dilettante? On the contrast between the barnacle and the pilot fish. 2008.04.24 / 14:47
Guy Billings What is the relationship between experiment and experience? With case studies from parapsychology and religion. With a response by Jon Oberlander. 2008.04.24 / 14:46
Clementine Deliss What vernacular conveys your ideas? The Academy of Amazons: an unlikely episode in the history of the Vienna Academy of Fine Arts. 2008.04.24 / 14:45

  Future Academy Studiolab is an interdisciplinary research group, supported by the Edinburgh College of Art and the University of Edinburgh.
Curator of Future Academy Studiolab: Dr Clémentine Deliss metronomepress.com
Concept direction: Guy Billings futureacademylab.net
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